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Ciao Re Giorgio: Farewell to Giorgio Armani

Bonjour fashion lovers,

It is hard to write these lines. It is hard to imagine a world without Giorgio Armani. We knew he had been unwell, and yet accepting it feels almost impossible. Armani was not just a designer; he was a constant presence, a fixed point, an icon who redefined the very idea of Italian elegance.

His journey was singular: from Piacenza to Milan, building—step by step—an empire that spoke to the world. His strength was vision: subtracting, simplifying, freeing fashion from rigidity, gifting the body clean, fluid, essential lines. With one gesture he invented a new grammar of style, where clothes accompany rather than constrain, where luxury does not shout—it whispers.

In the eighties he conquered Hollywood, dressing Richard Gere in American Gigolo and reshaping the male imagination. Then came the women—powerful, assured—wearing his deconstructed suits that spoke of emancipation without slogans. Armani didn’t follow trends; he authored them. He didn’t chase fashion; he set it.

Just a few days ago, speaking with my mother Filomena about the photos from the Fall/Winter 2025–26 collection, she pointed out the perfect cut of a jacket on a model. That single detail said everything: discipline, precision, absolute tailoring. Armani was exactly that.

This is why he was called “Re Giorgio.” Not by chance, but by unanimous consent—because no one like him embodied an Italy that is elegant and cosmopolitan, rigorous and sensual, without ever losing coherence. His reign was never ostentation; it was timeless style.

Today, without him, there is a void that is hard to fill. And yet there remains an immense heritage: an aesthetic that changed how we dress and how we think about fashion; an industrial empire that carried Made in Italy across the world; and above all, a lesson in rigor, restraint, and modernity.

I can only hope the company will not lose the essence of Re Giorgio—but only time will tell.

To bid farewell to Giorgio Armani is to bid farewell to a part of our identity. It is also to recognize that his legacy will continue, because few like him have turned fashion into history.

Always Fashion, Always Black, Always Paris, Emanuela


Emanuela Formoso
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